Time Out

When a vacation house claims you, you need to have some memory of the things you had planned to do there.

The easy time that settles around you with each day erases any merely easy agenda.

It will be good if you had thought to bring with you a bundle of old letters to re-read. It will be good if you had opened a favorite book of poems upon your arrival and left it on a bedside table. It will be good if there is a framed photograph standing on a surface where you have been able to pass it every day.

A clock in a store may have made you think of hours and shadows travelling across your floor at home.

Slowly restored to parts of yourself in these vacation rooms, you do things that surprise you.

You momentarily don't mind the world that will be waiting for you upon your return.

Schlabaugh clock at Left Bank Gallery in Wellfleet

The Outermost House

Could I live here?

At some point in a vacation week I have regularly asked myself that question. It is the point when getting from one address to another in a new location no longer seems daunting. I may have awakened from an afternoon nap and stepped out into a sun-filled yard or a street quiet and soft with rain. I am no longer living out of a suitcase and not yet needing to think about re-packing one. I am in a mood where it is momentarily easy to envision a different way to live life as Donald. I get a taste of a different way to move through the end of a weekday afternoon and into an early evening of dinner and drinks and conversation.

Those conversations during an evening of vacation ideally include a leading question from a dinner companion. There has been something about how I seem after a few days outside of my routines that has gotten someone else thinking. The agenda for the next day’s activities is briefly too practical a topic for the mood of the hour across from this companion. Smiles are easy, dreams are close, gratitude emerges for the space to name possibilities.

Could I live here?

I might like the Donald who walked through an art gallery earlier in the day. I might like the Donald who found an organ recital on a Sunday afternoon in a local church. I might like the Donald who walked through a bookstore and bought a new copy of a favorite novel, re-reading the first chapter later over a white beer and lemon. I might like the Donald who made an impulse purchase in a store specializing in papers and leather journals. I might like the Donald who excused himself from a group activity and chose to sit on a park bench and just muse for an hour. I might like the Donald who leaned on a wooden railing and surveyed a seacoast marsh and memorized the call of a bird suddenly overhead.

Could I live here – the life of this kind of Donald?



Click on the picture above: In September 1927 author and naturalist Henry Beston came to Nauset Beach in Eastham, Massachusetts. On the dunes he built a cabin with two rooms and a fireplace. There he lived a solitary year in the company of the ocean. As the seasons unfolded, Beston recorded his encounters with the waves, the winds and the wild creatures of the beach and dunes. The resulting book, The Outermost House, has become a classic chronicle of the rhythms of the seasons on outer Cape Cod.

Getting to the Table Again

Someone recently asked about the religious retreats that I and other people make and what they're about. He got me thinking.

Silent retreats are about the problems that are hard for us to talk about.

They’re about the situations in our lives where we are no longer content to make do. Sometimes they’re about admitting that we are not getting what we need. Sometimes they’re about admitting that we’re not getting the experiences that we can talk about with pleasure and satisfaction. They’re about the judgment that sometimes feels waiting for us if we confess to that failure.

So, guess what most retreats do for the people who make them? They get people into a dining room three times a day. They get people to the table.

Ignatius Loyola knew that people on retreat don’t stop being on retreat during meals. They might think they stop doing the serious work of a retreat for the fifteen minutes or half-hour that they are sitting in the dining room. Ignatius knew, though, that meals might be a time when our emotional guard is down, our thinking apparatus less programmed and more creative, our willingness to sink into ourselves and the routines of our heart more likely.

We may have fewer expectations of ourselves, fewer explicit expectations for our lives in a dining room, and that is the key to its usefulness. The ease we might feel in being ourselves with a plate of food in front of us can be the medium by which we uncover a question we have about what our lives can be.

So right now, in the midst of reading a post on a blog, a little exercise about our eating might be illuminating.

Let’s start by thinking of the last meal we had before going online and reading this post – was it with the people we most wanted to eat with? Was it at a time of our choosing? Was it in a place of our choosing? Was the meal the food we most wanted?

Ready for more?

How many of us regularly eat with the people we most want to eat with?

How many of us regularly eat the foods we most like?

How many of us regularly eat at times of our choosing and in settings of our choosing?

How many of us regularly take the time we want to spend on a meal? Are we ever rushed?

On the other hand, are we ever obliged to stay at a table longer than we want? With people we would not have chosen as our ideal table companions?

And finally: How many of us would do anything to have another meal with a particular person? How many of us would do anything to have another chance to participate in a particular meal from an earlier time in our life?

One or more of these questions may leave your heart a bit shaky.

They do mine.

A Movie I Want to See

Portland, East End

I bought some art recently.

I had spent a weekday evening in Ogunquit, Maine, a sudden plan to take advantage of what looked like it might turn out to be a sunny day in New England at the end of this rainy June. Someone was looking over me, because the closer to the coast I drove, the clearer the skies appeared in the distance. I had reservations at an inn where I had stayed before, dinner plans at a favorite restaurant. My arrival gave me time to settle in Perkins Cove before dinner and sit within sight of the ocean and the start of the Marginal Way. I had brought a recent volume of Mary Oliver’s poetry and read some of her poems while I sipped a martini in the open air. Using my BlackBerry camera, I sent a friend a picture of the coast I was able to watch that evening in all its sparkling freshness.



I was excited about this venture.

I was not going to buy into a typical Ogunquit visit. I was not going to let anyone else set the agenda for this stay by the sea. I had booked a room that suited me and intended to be the one to enjoy it in the way I wanted that evening. I give myself credit for getting there and staying there and enjoying myself there. I smiled as I settled at a table on the porch of my bed and breakfast the next morning and ordered my frittata from the hosts.

My focus then became the trip to Portland and the gallery where a photographer’s work was being displayed.

The weather continued fine and strong and sunny as I parked in the Old Port section of the city and began to walk. I needed to get to an ATM, but this was a familiar city I covered in my stroll, the legacy of last summer’s visits with a friend eager to introduce me to lighthouses and restaurants and beaches. At one point fog briefly drifted in, and I realized that I had an image of Maine and its lure that the fog suited just fine.

And then the art.

The photographer is no one famous, but I headed to the gallery near the Portland Museum of Art and asked to see a particular work by him. What the photographer himself says is that the shot reminds him of a still from a black-and-white film, and I enjoyed the chance to enter into an artist’s perception of his own work. There were things I noticed on my own about his image of train cars in the East End of Portland – the different shapes of the cars, the different color and style of the lettering on each car, the background of trees and their branches and leaves against which those two single-gauge cars stand. In other circumstances I might have been more easily attracted to images in the gallery that showed beaches and fern leaves and a moon behind a steeple. I was aware, though, that I was looking at something different from the digital images displayed across this gallery’s walls. There was a softness in this print that only film and dark room could have produced.

So it’s mine now. Not yet free to travel from the exhibit where it is displayed in downtown Portland, but I am curious to see it on the walls of my home.

I suspect I will see more and more in it in the months to come.

What I Have, I Want

“It’s a writing cabin!”

The words were out of my mouth before I realized that I was saying them. In the stable building on the Saint-Gaudens estate in Cornish, NH, I had been strolling past antique carriages and wagons. I suddenly stood at the door of the stable hand’s quarters and saw a table and chair by a window. Laid out on the simple checkered tablecloth were food, books, light – nothing superfluous, nothing missing for a morning hour’s diversion, an evening’s engagement for a thoughtful individual.



The compact one-room quarters reminded me of the writing cabin of naturalist Edwin Way Teale. I had visited his 200-year-old farm in October 2007. Shortly thereafter I read one of Teale’s descriptions of his literary refuge:

As my eyes wander about the interior of my writing cabin, they encounter the broom, dustpan, poker, and shovel behind the open-faced Franklin stove; the rustic rocker where I read; the straight-backed chair beside a folding table – a table inherited from a forest camp in Maine – where I write; the lightweight typewriter that traveled with us through all the seasons in America and the pack basket made long ago by our son, David.

A measure of the impact of the space I visited that fall afternoon should be apparent in the title I gave to this blog and the photograph I attached to the heading and one of the first essays I posted. I concluded that early post:

When you acknowledge the role writing plays in your life in the way that Teale did, you dare to dream…

I’m getting ideas.

One of my friends and readers at the time tuned into the passion behind my identification with a writer like Teale:

I passed a small colonial brown barn on my way home. It sits about 75 feet back from the main road and is near but not attached to a colonial home of the same color... As I was sitting at the light, I looked over at the quiet barn and I pictured the brown barn doors slowly swinging open. There you were behind them, with a warmly-lit workspace behind you reflecting the barn board interior… a desk, chair… all the stuff that makes up the life you want all comfortably situated.

So it should not surprise anyone to learn how moved I was one morning this past week when I stood by the door of one of the rooms where I now live. Fresh from a shower and ready for breakfast, I saw the checkered tablecloth on a table by the window, the open laptop on the table, the simple white curtains on the window, the bookcases, the bowls and mugs and glasses, the lamp on the deep window sill – my breakfast space was a writing cabin!

I had moved into a writing cabin this past year – without initially calling it that, without realizing that this simple suite of rooms could do for me what the one-room log cabin had done for Edwin Way Teale fifty years ago: provide sanctuary, provide space for thinking one's own thoughts, provide a regular place where one could write.

Sitting with coffee and thoughts this morning, I understood the ambush of the question that tries to elicit the answer: “I have what I want.” Much better, much healthier the perspective that looks at the days and the hours and the rooms and the conversations that make up life these days and can prompt an individual to say: “What I have, I want.”

And I do.

Sending the Message

My voice is mine, and what I do with it is – literally – my business. Verizon has agreed twice, once last May and again yesterday afternoon. For a year now I have been the owner of my conversations and the sole keeper of the record of those conversations.

I stood in the Verizon store at the end of the work day yesterday, egged on by weeks of emails and brochures alerting me to savings available to me were I interested in an early upgrade of my mobile phone. My first name now appeared on a screen near the ceiling that listed the order of customers due attention from the staff, most of that staff comfortably decades younger than I.

I knew what I was looking for in the way of accessories and capabilities and size. It helped that my browsing had led me to the very phone that Tim, my eventual sales representative, took out of his pocket and showed me as his own choice for the past several months.

Between rebates and discounts I was going to walk away from this transaction without any significant expenditure or increase in monthly outlay. I was going to have a phone that allowed me to do things that till then I would have considered the proper domain of my laptop at home. I was a satisfied customer.

Yes, Tim said, it would take him only ten minutes to transfer the contacts from my old phone and load my pictures onto a memory card and then onto the new phone.

No, he had to confess, the text messages I asked about keeping from the old phone could not follow me onto the new.

And then I stopped. I nodded my acquiescence but knew I was about to lose words that had carried me through the last twelve months, texts carefully preserved by a strategic deletion of other messages along the way. Messages on my birthday, from Christmas morning, from a Saturday in the spring that seismically shifted the feel of my inner landscape – I was facing the erasure of all that communication on the part of people who had wanted me to know I mattered in their lives.

I was standing amid customers who simply wanted a new phone. At the imminent dismantling of a bank of memories, I wanted a new way to remember what had kept life feeling real at times in the months gone by.

“Show me how to make a call to one of the contacts you’ve just transferred,” I requested when my transaction with Tim was almost over. I gave him a name.

I walked with my shopping bag to the door of the Verizon store and spoke into the phone: “Remember the call I made to you the day I bought my last phone? I just bought a new one.”

Summer Plans

Two close friends arrived in Paris yesterday. A text message from one of them at two o'clock in the morning attested to that fact. In our final visits together before their departure, amid the talk of travel-size toiletries and Paris restos that I might recommend for their lunches, the topic came up of my joining them. There was a lament on their part that they had not arranged a way for me to be in their travelling party.

Another friend is planning by year’s end to be on a boat down (or up?) the Amazon River. I have photos of him on the Great Wall of China from a few years back and others that he took in India in 2007. He is serious in extending me an invitation to join him in South America if my work schedule in the next six or seven months permits it.

Recently, a day does not go by without a friendly query on someone’s part about my “summer plans.” Someone just stops by my office door and figures a question about travel is one of the easiest entrees into conversation.

It has taken me a little while getting comfortable admitting that there is no plan.

A July weekend in a nearby Benedictine abbey, an August trip to a colleague’s wedding in Pennsylvania, a couple of days with a New York friend – these somehow don’t weigh in as the kind of vacation that people are asking about.

There is no plan.

I’ll confess to a combination of apprehension and relief at that prospect.

I am unlearning certain patterns these days, and it may take time to discover the kinds of pleasure there are in ventures that I didn’t need or get to attempt a year ago. In the months ahead, I might be caught attending a concert alone or occasionally eating a meal at the bar of a popular restaurant.

That happens, I can lecture myself, when there is no plan.

No plan, no expectations, no well-traveled pattern, no clearly defined goal tugging me safely onward.

I need for there to be no plan now. I need to be able to say that I don’t know what my life will look like a year from now. Some things can only happen – important things, I suspect – if I admit that I don’t know what I will be writing about next June.

And what, after all, is so bad about that?



Photo of Paris river cruise from ninemsn

White Lilies

I am sitting with white lilies these mornings.

I am rising at five o’clock, showering and getting dressed a little earlier than usual, and then sitting for close to an hour with coffee and thoughts.

The great white faces of the flowers are waiting near the leather love seat where I park myself, sometimes prayer book open on my lap.

I turn on the floor lamp, and I read verses from the psalms that can stay with me for the hour:

If you find your delight in the Lord,
he will grant your heart's desire. (Psalm 37)

Summer is approaching.



Photo of Oriental lilies from White Flower Farm

Light in Stone

Who buys a lamp he cannot read by?

What could be the intention of someone walking alone through a Portland, Maine, gift shop on a summer afternoon, setting his sights on a lamp when he has no obvious room in which it can cast its muted light?

Some light is the light of hope and wonder, and the steps I was taking a year ago this summer were steps of hope and wonder as I focused on creating a new home. No, I did not expect to read by the light of the luminaire lamp. Its stone etching suggested sunlight through the trees of a forest, like the Sanctuary Trail at nearby Prouts Neck. I expected something would happen by that light, but it was not what I could talk about with any confidence or logical rigor. It involved an act of faith, and I was not accustomed to acting out of faith in myself or my dreams.

I am honoring this time of anniversary by turning that lamp on each evening, knowing that I will not do anything by that light that bears comment or commands attention from others. I am willing to let a light shine, though, through a room that did not know twelve months ago what I might be attempting within its walls each night, the ease and the re-creation that sleep can bring to someone starting a life over.

Image of lithophane lamp from The Porcelain Garden